Svalbard & Polar Jazz 2026 in Longyearbyen | Imelda Kehoe 

Returning February light over Longyearbyen, Svalbard, as the town emerges from Polar Night

Svalbard: The Dawning of Another Age

Light appears as a suggestion on the horizon, a thinning of the darkness, before beginning its slow claim on the mountains and valleys around Longyearbyen. In early February this happens for just a few hours of each day.

In the world's northernmost town of Longyearbyen, after four months of complete darkness, the long dawn is something to celebrate, and what better way than with people and music? This year, I went to Polar Jazz 2026 in Svalbard to see, feel and hear the Arctic for myself.

Svalbard Through the Ages

Since the 1600s, Svalbard has passed through the cycles of the human ages, from discovery, development and exploitation to depletion, decline, abandonment and rediscovery. First came the explorers, then the whalers, trappers and hunters, scientists and miners. The remnants of all these ages, in the form of buildings, graves, machinery and abandoned mines, lie silent and preserved in permafrost.

Now come researchers and those of us drawn north to witness its extraordinary beauty and to understand more about its history and the people who endured to be part of its story. 

Will this be an age that will end in decline and abandonment too? 

Guardians and Protectors 

Svalbard is currently warming faster than anywhere else on Earth. At Polar Jazz, I saw first hand that this is a place of learning, science and deep respect for the archipelago. 

The love that people have for this unique place was there in the performances, original music written and inspired by the Arctic. It was also in their stories and community spirit, not to mention the best version of ‘Feeling Good’ I have ever heard which was delivered by a UNIS scientist. I felt from them, a sense of guardianship, protection and advocacy. We have to believe we can save it don't we?  

A Songwriter's Dream

It was a dream come true to experience Svalbard for myself. As a songwriter, I’m drawn to human stories, and Svalbard has them in abundance. Stories of exploration, discovery, failure, endurance and survival.

Whilst I was there, I picked up a book of Arctic photographs and at the back was Robert W. Service's poem, ‘The Spell of the Yukon’. It is about a different part of the Arctic but the essence of it felt familiar.  

“There’s a land where the mountains are nameless, And the rivers all run God knows where; There are lives that are erring and aimless, And deaths that just hang by a hair; There are hardships that nobody reckons, there are valleys unpeopled and still; There’s a land oh, it beckons and beckons, And I want to go back and I will.”

Robert W. Service, The Spell of the Yukon

I want to go back, and I probably will.

Beyond The Colour Green  

Beyond The Colour Green

Songs come from all sorts of places, the common thread being stories of people, memory, family and the influence of moving around, an early career in nursing, old records, travelling and other human stories.

I have found listening and paying attention are the tools that serve me best for inspiration!

For example, in John Prine's song, ‘Summers End’, ‘swimming suits are on the line just drying’ gave me a memory of teaching our younger brothers to swim in Irelands Owenmore River, scorching days of the summer holidays in the early eighties. 

I can see it now, using an old football as a float, wearing bathing suits not identified with an age range, coaxing our younger brothers to the other side over slippery stones, water the colour of tea and a rotting sheep carcass upstream but far enough away to convince us that it didn't matter. 

These memories inspired many songs. 

So this blog is called ‘Beyond the Colour Green’ because it is a place to write about what comes next. 

I don't know exactly where it will lead, which is probably the point.

Photo: O'Briens Bridge, By Willie Duffin, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=14301357